When Constructivism emerged shortly after the Russian Revolution, its central principles concerned structure and efficiency in the work of art and the nature and properties of materials. In a series of eight essays, Brandon Taylor examines the origins of these principles and their extraordinary consequences for the rest of modern art. Even before Constructivism, structure was a vital ingredient ...
Hardcover: 292 pages
Publisher: Yale University Press; First Edition edition (May 20, 2014)
Product Dimensions: 8 x 1.2 x 10.5 inches
Amazon Rank: 1579742
Format: PDF ePub Text djvu book
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This text is well-written and carefully researched, with plenty of color illustrations to aid the author in making his points. This text is not for beginners--it assumes you have a fair grasp of the topics it covers and the involved players. I gave t...
rt. After it, ideas about faktura or the “madeness” of an art object―and about its rational organization―became stock-in-trade for De Stijl in Holland and Art Concret in France and bore decisively on other currents such as Surrealism and abstract art. After 1945, artistic movements including Systems, Kinetic and Minimal Art were all touched by the long reach of Constructivist ideals. Recent art has proved no exception. Taylor shows that casual attitudes to materials, even the collapse of Constructivist ideals, have helped form the artistic tenor of our times.